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  • The gods of the Egyptians, or, Studies in Egyptian mythology / by E.A. Wallis Budge...With 98 coloured plates and 131 illustrations in the text.
  • The gods of the Egyptians, or, Studies in Egyptian mythology / by E.A. Wallis Budge...With 98 coloured plates and 131 illustrations in the text.
  • The gods of the Egyptians, or, Studies in Egyptian mythology / by E.A. Wallis Budge...With 98 coloured plates and 131 illustrations in the text.
  • Human proportions established through mythological figures. Engraving.
  • Human proportions established through mythological figures. Engraving.
  • Human proportions established through mythological figures. Engraving.
  • Human proportions established through mythological figures. Engraving.
  • Human proportions established through mythological figures. Engraving.
  • A dying man surrounded by fantastic and mythological figures. Coloured etching.
  • A dying man surrounded by fantastic and mythological figures. Coloured etching.
  • A mythological scene; the sleeping infant Hercules. Engraving by L.P. Boitard.
  • Five biblical and mythological figures, expressing different physiognomic characteristics. Drawing, c. 1791, after Raphael.
  • The thirty-five Buddhas of confession, in Tibetan Tungshakchi Sangye Songa, with various mythological persons. Chromolithograph.
  • Monstrous birds and other monsters are released from boxes; a mythological scene. Watercolour painting on paper.
  • 'Dr. Dooreslaer' appearing with mythological figures and scenes of feasting and execution. Line engraving, c. 1650.
  • M0006910: Flyleaf print possibly of a mythological scene, and a portrait of Antonus Leeuwenhoek (1632-1723)
  • Grotesque Chinese mythological animals, one of them a kilin, another a boar. Woodcut by a Chinese printmaker.
  • A depressed scholar surrounded by mythological figures; representing the melancholy temperament. Etching by J.D. Nessenthaler, ca. 1750.
  • A depressed scholar surrounded by mythological figures; representing the melancholy temperament. Etching by J.D. Nessenthaler, ca. 1750.
  • Ravana, the demon king on his Veeman, a mythological plane or chariot. Gouache painting by an Indian painter.
  • Indian mythological story with a guard (?) halting a young prince(?) who is leading a horse. Gouache painting by an Indian artist.
  • A goddess sits among a crowd of mythological figures with musical instruments and weapons; representing mineralogy. Coloured stipple engraving by J. Chapman, 1817.
  • Albrecht von Haller: his monument is visited by a grieving mythological figure. Engraving with etching by B.A. Dunker and M.G. Eichler.
  • Details of the paintings on the triumphal arch in the courtyard of William III of Orange in The Hague, showing scenes from victorious battles in antiquity and mythological subjects. Engraving.
  • A mythological scene: a man kneels with folded hands as he sees a vision of a boy with a halo around his head, as other people look on in amazement. Gouache painting by an Indic artist.
  • Asphodeline lutea Rchb. Yellow asphodel, King's spear, Hastula regia. Hardy rhizomatous perennial. Distribution Mediterranean and Caucasus. It is the flower of the dead, as Homer writes that it carpets an area in the gloomy darkness of the underworld (Hades), in Greek mythology where the souls of the dead are found. However this may be a misinterpretation of the Greek where 'Asphodel' has been read instead of 'ash-filled'. In the etymology of flower names, it is suggested that the yellow 'daffodil' is a corruption of French or Flemish 'de asphodel' (both ex Steve Reece, 2007). An Aristotelian epigram, refers to it growing on tombs: 'On my back I hold mallow and many-rooted asphodel ...' The asphodel was sacred to Persephone, goddess of the underworld, who was seized and wed by Hades, god of the underworld, and taken to his kingdom. Her disappearance brings the winter, and her reappearance each year, the spring. The only reliable source of information about its early medical uses is, probably, Dioscorides although the plant in his De Materia Medica may be A. ramosus or A. albus. He gives its properties as diuretic, induces menses, good for coughs and convulsions, an antidote to snake bite, applied as a poultice for sores of all sorts, and in compounds for eye, ear and tooth pains, and to cure alopecia and vitiligo, but induces diarrhoea and vomiting and is an anti-aphrodisiac. Fuchs (1542), as Ruel’s commentaries (1543) note, makes a big mistake as he has Lilium martagon as his concept of A. luteus. Ruel only illustrates its leaves and roots, calling it Hastula regia (Latin for King’s spear) but Matthiolus's Commentaries (1569 edition) has a reasonable woodcut also as Hastula regia (1569). Dodoen's Cruydeboeck (1556) does not mention or illustrate Asphodelus luteus. L'Escluse's French translation Histoire des Plantes (1557) follows the Cruydeboeck. Dodoen's Latin translation Stirpium Historia Pemptades Sex (1583) adds A. luteus with text and woodcut, with no uses. Henry Lyte's (1578) translation illustrates Asphodelus luteus as Asphodeli tertia species and 'Yellow affodyl' (vide etymology of 'daffodil') and also does not describe any uses for it. Gerard's translation The Herbal (1597 and 1633) continues the muddle and does not give any uses for this plant. Parkinson's comments (1640) on the lack of medicinal properties of asphodels, refer to quite different plants coming from wet areas in Lancashire, Scotland and Norway . He calls them pseudoasphodelus major and minor which he writes are called Asphodelus luteus palustris by Dodoens, and not 'King's Spear' which he illustrates with a good woodcut of A. luteus and calls it Asphodelus luteus minor. Once herbals started to be written in northern Europe, the knowledge of the arid loving, Asphodelus luteus of south east Europe was lost. Photographed in the Medicinal Garden of the Royal College of Physicians, London.
  • Atropa belladonna L. Solanaceae. Deadly nightshade. Dwale. Morella, Solatrum, Hound's berries, Uva lupina, Cucubalus, Solanum lethale. Atropa derives from Atropos the oldest of the three Fates of Greek mythology who cut the thread of Life (her sisters Clotho and Lachesis spun and measured the thread, respectively). belladonna, literally, means 'beautiful lady' and was the Italian name for it. Folklore has it that Italian ladies put drops from the plant or the fruits in their eyes to make themselves doe-eyed, myopic and beautiful. However, this is not supported by the 16th and 17th century literature, where no mention is ever made of dilated pupils (or any of the effects of parasympathetic blockade). Tournefort (1719) says 'The Italians named this plant Belladonna, which in their language signifies a beautiful woman, because the ladies use it much in the composition of their Fucus [rouge or deceit or cosmetic] or face paint.' Parkinson says that the Italian ladies use the distilled juice as a fucus '... peradventure [perhaps] to take away their high colour and make them looke paler.' I think it more likely that they absorbed atropine through their skin and were slightly 'stoned' and disinhibited, which made them beautiful ladies in the eyes of Italian males. Distribution: Europe, North Africa, western Asia. Culpeper (1650) writes: 'Solanum. Nightshade: very cold and dry, binding … dangerous given inwardly … outwardly it helps the shingles, St Antonie's Fire [erysipelas] and other hot inflammation.' Most of the 16th, 17th and 18th century herbals recommend it topically for breast cancers. Poisonous plants were regarded as 'cold' plants as an excess of them caused death and the body became cold. They were regarded as opposing the hot humour which kept us warm and alive. Poultices of Belladonna leaves are still recommended for muscle strain in cyclists, by herbalists. Gerard (1633) writes that it: 'causeth sleep, troubleth the mind, bringeth madnesse if a few of the berries be inwardly taken, but if more be taken they also kill...'. He was also aware that the alkaloids could be absorbed through the skin for he notes that a poultice of the leaves applied to the forehead, induces sleep, and relieves headache. The whole plant contains the anticholinergic alkaloid atropine, which blocks the peripheral actions of acetylcholine in the parasympathetic nervous system. Atropine is a racemic mixture of d- and l- hyoscyamine. Atropine, dropped into the eyes, blocks the acetylcholine receptors of the pupil so it no longer constricts on exposure to bright light - so enabling an ophthalmologist to examine the retina with an ophthalmoscope. Atropine speeds up the heart rate, reduces salivation and sweating, reduces gut motility, inhibits the vertigo of sea sickness, and is used to block the acetylcholine receptors to prevent the effects of organophosphorous and other nerve gas poisons. It is still has important uses in medicine. Atropine poisoning takes three or for days to wear off, and the hallucinations experienced by its use are described as unpleasant. We have to be content with 'madness', 'frenzie' and 'idle and vain imaginations' in the early herbals to describe the hallucinations of atropine and related alkaloids as the word 'hallucination' in the sense of a perception for which there is no external stimulus, was not used in English until 1646 (Sir T. Browne, 1646). It is a restricted herbal medicine which can only be sold in premises which are registered pharmacies and by or under the supervision of a pharmacist (UK Medicines and Healthcare Products Regulatory Agency (MHRA)). Photographed in the Medicinal Garden of the Royal College of Physicians, London.
  • Dactylorhiza aff fuchsii Druce ex Soo Orchidaceae Common Spotted orchid. Distribution: Ireland to Mongolia. Roots look like a hand. Coles (1657) calls them Palma Christi sive [or] Satyrion (to distinguish it from Ricinus communis which he calls Palma Christi sive Ricinus. This plant is probably his Female Satyrion and another Dactylorhiza, probably one of the English Marsh orchids, is his Male Satyrion Royal, with purple flowers. In common with Orchis he writes 'The full and plump roots of the Satyrium or Orchis, whereof the Electuary Diasatyrium is made, are of mighty efficacy to provoke to venery, which they that have bulbous roots [meaning the testicle shaped roots of Orchis] do by Signature.'. Terrestrial orchids continue, to be harvested by the millions annually in the Middle East for the production of Salep, including Salep ice cream, because of their mythological aphrodisiacal property. Photographed in the Medicinal Garden of the Royal College of Physicians, London.
  • Dactylorhiza foliosa (Rchb.f.)Soo Orchidaceae Distribution: Madeira. Roots look like a hand and Coles (1657) calls them Palma Christi sive [or] Satyrion (to distinguish it from Ricinus communis which he calls Palma Christi sive Ricinus. This plant would be the closest to his Male Satyrion Royal, with purple flowers (but this is likely to be one of the English Marsh orchids,, and Dactylorhiza fuchsii is his Female Satyrion. In common with Orchis he writes 'The full and plump roots of the Satyrium or Orchis, whereof the Electuary Diasatyrium is made, are of mighty efficacy to provoke to venery, which they that have bulbous roots [meaning the testicle shaped roots of Orchis] do by Signature.'. Terrestrial orchids continue to be harvested by the millions annually in the Middle East for the production of Salep, including Salep ice cream, because of their mythological aphrodisiacal property. Photographed in the Medicinal Garden of the Royal College of Physicians, London.
  • Erigone, ensnared by Dionysus, reaching for grapes on a vine. Lithograph by B.-R. Julien, 1835, after L. Poyet.