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205 results
  • Apollo, god of literature, plays his harp; a town goes about its rituals. Engraving by J. Sadeler after J. van der Straet, 1594.
  • A surgical operation to remove a malignant tumour from a man's left breast and armpit in a Dublin drawing room, 1817. Watercolour, ca 1913, after a watercolour, 1817.
  • A surgical operation to remove a malignant tumour from a man's left breast and armpit in a Dublin drawing room, 1817. Watercolour, ca 1913, after a watercolour, 1817.
  • A surgical operation to remove a malignant tumour from a man's left breast and armpit in a Dublin drawing room, 1817. Watercolour, ca 1913, after a watercolour, 1817.
  • A surgical operation to remove a malignant tumour from a man's left breast and armpit in a Dublin drawing room, 1817. Watercolour, ca 1913, after a watercolour, 1817.
  • Joseph Priestley, the discoverer of oxygen. Oil painting by Ernest Board, 1912.
  • Joseph Priestley, the discoverer of oxygen. Oil painting by Ernest Board, 1912.
  • Joseph Priestley, the discoverer of oxygen. Oil painting by Ernest Board, 1912.
  • Evidence as to man's place in nature / by Thomas Henry Huxley.
  • Evidence as to man's place in nature / by Thomas Henry Huxley.
  • Evidence as to man's place in nature / by Thomas Henry Huxley.
  • Evidence as to man's place in nature / by Thomas Henry Huxley.
  • The first use of ether in dental surgery, 1846. Oil painting by Ernest Board.
  • Deep muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Deep muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the neck, tongue and jaws. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the eye and larynx and the head shown with a section of skull removed. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the eye and larynx and the head shown with a section of skull removed. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the right side of the head and neck. Colour mezzotint by J.F. Gautier d'Agoty, 1745-1746.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the pharynx, viewed from the back and side, and separated. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the right side of the head and neck. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the right side of the head and neck. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • A Quaker family are sitting at the dinner table and the father has his hands together as he gives thanks for the food. Mezzotint by Charles G. Lewis after Alexander Fraser.
  • Vol. II. Les Clavicules de R. Salomon