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45 results
  • Saint Peter denies knowledge of Christ; Roman soldiers lead Christ away; a cock crows. Engraving by C. Bouzonnet Stella after J. Stella.
  • Christ brought by Roman soldiers before the high priest Annas. Engraving by C. Bouzonnet Stella after J. Stella.
  • Christ brought before the high priest Caiaphas. Engraving by C. Bouzonnet Stella after J. Stella.
  • Christ led away from Caiaphas by Roman soldiers to be delivered to Pontius Pilate. Engraving by C. Bouzonnet Stella after J. Stella.
  • Christ arrested by Roman soldiers. Engraving by C. Bouzonnet Stella after J. Stella.
  • Christ mocked by Roman soldiers. Engraving by C. Bouzonnet Stella after J. Stella.
  • Roman soldiers beat Christ before the high priest. Line engraving by J. Sadeler, 1589, after C. Schwartz.
  • The mocking of Christ. Etching by A. van Dyck.
  • The high priest questions Jesus after his arrest. Engraving by G. Huret after himself.
  • Christ, tied to a column, being whipped by two men. Engraving after A. Durer, 1512.
  • The mocking and flagellation of Christ. Line engraving by G. Sadeler after J. Palma the elder.
  • Christ beaten and mocked before Caiaphas. Etching by J. Callot, 1630.
  • Christ bound and beaten by Jews. Etching by Heinrich Nüsser after J.F. Overbeck, 1850.
  • Christ crowned with thorns. Engraving after A. Durer, 1512.
  • Pontius Pilate comes out to the people, asks what is the accusation against Christ, and tells the Jews to judge him by their own laws. Engraving after J. Stella.
  • Pontius Pilate interrogates Jesus and finds no fault in him. Engraving by C. Bouzonnet Stella after J. Stella.
  • The crucifixion of Christ. Woodcut.
  • The mocking and flagellation of Christ; he is crowned with thorns and beaten with sticks. Drawing by F. Rosaspina, c. 1830, after L. Carracci.
  • Pontius Pilate, seated on the judgment seat, receives a message from his wife that he should have nothing to do with Christ. Engraving after J. Stella.
  • Christ lies on the ground, beaten and mocked. Etching by L. Simonneau after himself.
  • Christ stands before the high priest; Peter denies knowledge of Christ. Line engraving by B. Bartoccini after F. Overbeck.
  • Jesus is arrested in the night in the garden of Gethsemane. Engraving by A. Reindel after H. Füger.
  • The binding and flagellation of Christ. Drawing by F. Rosaspina, c. 1830, after L. Carracci.
  • The flagellation of Christ. Etching by H. Nüsser after J.F. Overbeck, 1843.
  • The mocking and flagellation of Christ; he is crowned with thorns and handed a reed as a mock sceptre. Line engraving by S.A. Bolswert after A. van Dyck.
  • A cross incorporating a montage of pink heart muscles, pink triangles, crossed red and green squares, the AIDS red ribbon on a stamp, flowers, a hand and a version of the American flag; on a background coloured in green crayon incorporating a montage of photographs including Christ's head of thorns and a hand injecting a syringe into an arm; on a further black background bearing the brown lettering: 'el colonialismo' [colonialism]; advertising the danger of AIDS. Colour lithograph by Juan Sánchez, ca. 1995.
  • The crucifixion of Christ; his side is punctured by a soldier's lance. Engraving by B. à Bolswert after P.P. Rubens.
  • The four holy women lament over the dead Christ. Engraving by Annibale Carracci, 1597, after himself.
  • The three holy women before the crucified Christ. Watercolour painting.
  • Judas kisses Christ and he is arrested; Peter cuts off Malchus's ear. Engraving after A. Dürer, 1508.