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  • A bearded man glowering with jealousy (left) and a man expressing jealousy or hatred. Etching by B. Picart, 1713, after C. Le Brun.
  • "Hatred or jealousy" from Le Brun, Bowles's Passions of the soul, circa 1785
  • A man glowering, expressing hatred or jealousy. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • Jealousy: a young woman sits on a sofa talking to a young man as an older man comes rushing through the door looking anxious. Lithograph by Jules David, 1834.
  • A face expressing hatred and jealousy (left) and a face expressing despair (right). Engravings after C. Le Brun.
  • A face expressing hatred or jealousy. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • A man harrassed by personifications of greed, guilt, credulity, jealousy, sadness and pride. Engraving by P. Galle, ca 1563.
  • A face expressing hatred or jealousy (left); a face with hair on end expressing despair. Engraving, c. 1760, after C. Le Brun.
  • Two outlines of faces, one showing violent movement (left), the other expressing jealousy (right). Etching by B. Picart, 1713, after C. Le Brun.
  • A scene of jealousy; a bespectacled older man spies on a couple from beneath a verandah. Coloured woodcut by Kunisada I, ca. 1830 (?).
  • Four faces expressing (clockwise from top left): hatred or jealousy, anger, acute pain and desire. Etching by A-J. de Fehrt after C. Le Brun.
  • Four faces expressing the passions: (clockwise from top left) hatred, wonder, love and jealousy; and (right) the frontispiece to the book containing the illustrations, a manual of acting. Engraving by Silvester, 1807.
  • Mr. Lambkin out walking in Kensington Gardens hoping to bump into his loved one, he discovers her on the arm of another man which causes him much jealousy. Lithograph by G. Cruikshank.
  • Mrs Lavement arriving back home late after the theatre with Captain O'Donnel causing Mr Lavement (an apothecary) much anger and jealousy, Roderick Random apprentice to Mr Lavement watches the scene with amusement. Etching by T. Rowlandson after himself after T. Smollett.
  • An episode in Baldo by Teofilo Folengo (Merlin Cocai): at a festive dance, Cingar pretends to stab Berta in a fit of jealousy; he had fitted a canister of blood under a white scarf round her neck, so that he could appear to kill her and then revive her. Etching.
  • Heads of two girls of contrasting appearance. Drawing by M. Bishop, 1967.
  • A man wearing a ridiculously long wig pointing accusingly to a young pregnant woman, another man sits with his back to them. Etching.
  • Heads of two girls of contrasting appearance. Drawing by M. Bishop, 1967.
  • A furious cuckold rushes at his rival with a sword; representing vice as its own punishment. Engraving after O. van Veen (Vaenius), 1612.
  • The death of Orpheus: Orpheus is seen defending himself on one knee against the Thracian women, who assault him with clubs, while a child escapes to the left. Heliogravure after an engraving.
  • Dasaratha being asked in court to banish Rama by Kaikeyi and her humpbacked female slave Manthara. Chromolithograph.
  • An old man sits with his arm round a girl and plies her with drink as his wife watches through a window. Engraving by J.P. Le Bas, 1747, after D. Teniers.
  • Ten faces expressing the human passions. Engraving by Barlow after C. Le Brun.
  • Sir Charles Bell, The anatomy and philosophy
  • Three scenes: a woman undergoing a trial for adultery, a Jewish burial and circumcision ceremony. Etching after a woodcut, 1682.
  • Three scenes: a woman undergoing a trial for adultery, a Jewish burial and circumcision ceremony. Etching after a woodcut, 1682.
  • Three scenes: a woman undergoing a trial for adultery, a Jewish burial and circumcision ceremony. Etching after a woodcut, 1682.
  • Doctor Botherum, an itinerant medicine vendor (perhaps based on Doctor Bossy) selling his wares on stage with the aid of assistants to a raucous crowd. Coloured etching by T. Rowlandson, 1800.
  • Doctor Botherum, an itinerant medicine vendor (perhaps based on Doctor Bossy) selling his wares on stage with the aid of assistants to a raucous crowd. Coloured etching by T. Rowlandson, 1800.
  • King Edward V; above, a harpy holding a crown above his head; below, two lambs. Etching by J. Hulett, 17--, after G. Vertue, 1732.