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  • Eve is reproached for eating the forbidden fruit. Etching by J.E. Ridinger after himself, c. 1750.
  • The Fall: Adam and Eve driven out by the Angel for eating the forbidden fruit. Etching by C. Lasinio after Masaccio and Masolino.
  • Eve receives the forbidden fruit from a serpent in the shape of a woman; the angel expels Adam and Eve from paradise. Engraving by A. Capellan, 1772, after Michelangelo.
  • The serpent entwines itself around the body of Eve; it whispers in her ear, enticing her to eat the forbidden fruit. Photogravure by Lemercier and co. after Walter Crane, 1899.
  • The serpent entwines itself around the body of Eve; it whispers in her ear, enticing her to eat the forbidden fruit. Photogravure by Lemercier and co. after Walter Crane, 1899.
  • An apple that has been bitten into is tied up with a knotted rope to prevent further bites; representing precautions against AIDS. Colour lithograph after R. Vlachová, 1993.
  • An apple that has been bitten into is tied up with a knotted rope to prevent further bites; representing precautions against AIDS. Colour lithograph after R. Vlachová, 1993.
  • Adam and Eve holding fruit: Four figures. Heliogravure by C. Amand-Durand.
  • Eve tempting Adam. Engraving by J. Massard, 1787, after C. Cignani.
  • Eve shows Adam the apple she has bitten. Etching by W. Unger after J. Palma the elder.
  • Surrounded by animals in the Garden of Eden, Eve ascends from Adam's side. Line engraving by J. Haeyler after C. van den Broeck.
  • Episodes in the Pentateuch involving sacrifice, worship and idol-worshipping. Engraving.
  • Adam and Eve committing the primal sin; representing the origin of AIDS. Colour lithograph after Pavel Beneš, 1991.
  • God looks on unimpressed as Adam blames Eve for the transgression. Engraving by P.I. Drevet, c. 1720, after N. Coypel.
  • Adam and Eve conceal their nakedness; in the distance they receive clothes from God. Line engraving by J. Haeyler after C. van den Broeck.
  • A female figure with bowls of fruit and a monkey; Eve picks the apple from the tree of knowledge; representing the sense of taste. Engraving by N. de Bruyn after M. de Vos.
  • A woman-serpent bends around the Tree of Knowledge as Adam and Eve reach into the branches. Line engraving by T. de Bry after J. van Winghe.
  • The temptation of Adam. Lithograph by N. Consoni after Raphael.
  • A serpent/woman coils around the tree of life which stands between Adam and Eve. Engraving by J.T. Richomme, 1814, after Raphaël.
  • In the Garden of Eden, Eve offers Adam the apple. Line engraving by C. Galle after G.B. Paggi.
  • Eve picks the apple from the tree as the serpent emerges. Etching by J.E. Ridinger after himself, c. 1750.
  • Adam and Eve are condemned to a life of work outside Eden. Etching by J.E. Ridinger.
  • Eve presents Adam with the apple. Etching by J.E. Ridinger after himself, c. 1750.
  • God creates Eve; she tempts Adam. Engraving by Scotin, c. 1765.
  • Adam and Eve cover their nakedness as God makes his wrath felt in the Garden of Eden. Etching by J.E. Ridinger after himself, c. 1750.
  • God appears in a circle surrounded by images from the stories of the Creation, Adam and Eve, and Noah. Line Engraving.