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72 results
  • A clergyman in a coffin holding a crozier is surrounded by a group of mourners. Line block.
  • Edward VI granting letters, Strangers' Church in London
  • An alchemist stoking a furnace, surrounded by well dressed onlookers: a banquet takes place in the background. Etching by C. Murer, ca. 1600-1614.
  • A French lady from the Ancien Régime sympathizing with a young cleric who has toothache. Coloured etching by T.L. Busby, 1825.
  • The confirmation ceremony for a group of boys; one of them confuses confirmation with vaccination. Coloured aquatint by G. Hunt, 1831.
  • The confirmation ceremony for a group of boys; one of them confuses confirmation with vaccination. Coloured aquatint by G. Hunt, 1831.
  • The confirmation ceremony for a group of boys; one of them confuses confirmation with vaccination. Coloured aquatint by G. Hunt, 1831.
  • Innocence attacked from four corners by "Iudex", "Persequutiō", "Avaritia" and "Invidia"; Justice looks down from above. Etching by C. Murer after himself, c. 1600-1614.
  • A wealthy bürger refuses charity to an old couple. Etching by C. Murer after himself, c. 1600-1614.
  • Plates of a cleft fossil, melons of stone and the ruined church of St. Iuan d'Akari. Line engraving after C. de Bruins, c.1704.
  • A bear overturns a barrel and is stung by bees; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
  • Feast scene representing hospitality; alluding to Abraham and the three angels. Etching by C. Murer after himself, c. 1600-1614.
  • A fox talking to a chicken; representing a fable by Aesop on false friendship. Etching by C. Murer after himself, c. 1600-1614.
  • A mouse nibbles through a net in which a lion is caught; illustrating Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
  • A dog resting on a bull's straw; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
  • Truth represented as the word of God assailed by persecution, superstition, tradition, betrayal and violence. Etching by C. Murer after himself, c. 1600-1614.
  • A physician lecturing from a book to four students in a church. Heliotype.
  • Birds attacking an owl resting upon a staff held by a naked woman; representing patience. Etching by C. Murer after himself, c. 1600-1614.
  • A bird of prey prepares to swoop on a mouse and a frog in water; illustrating Aesop's fable of the frog and the mouse. Etching by C. Murer after himself, c. 1600-1614.
  • An historical sketch of the priory and royal hospital of St. Bartholomew / [William Alfred Delamotte].
  • The prophet Elias fed by a raven; representing providence. Etching by C. Murer after himself, c. 1600-1614.
  • An historical sketch of the priory and royal hospital of St. Bartholomew / [William Alfred Delamotte].
  • Two men walking above a city; representing harmony of religious or political states. Etching by C. Murer after himself, c. 1600-1614.
  • Men worship an ass bearing a religious image; alluding to both Aesop's fable of the ass and idol worship in Arianism and contemporary Catholicism. Etching by C. Murer after himself, c. 1600-1614.
  • Allegorical figures hold up two scrolls, separated by a spider's web: one shows a straight line between "Charitas" and "Iustitia"; the other a crooked line between "Invidia" and "Avaritia". Etching by C. Murer after himself, c. 1600-1614.
  • A man scatters seeds; representing the Biblical parable of the sower; here referring to the "ministry of the word", preaching. Etching by C. Murer after himself, c. 1600-1614.
  • An episode in the novel  Niccolò de' Lapi. by Massimo D'Azeglio: a massacre in a church during the Sack of Rome is interrupted by the arrival of the soldier of fortune Fanfulla da Lodi. Wood engraving by A. Centenari and G. Sabbatini after R. Venturi.
  • A prophet points to a cross which is leaking water; representing faith, the 'fountain of life'. Etching by C. Murer after himself, c. 1600-1614.
  • A stork impales a frog in a peaceful scene by a river; allegory of freedom. Etching by C. Murer after himself, c. 1600-1614.
  • The soul being refined like metal in a crucible by an angel, Satan, Venus and Death; representing a test of faith. Etching by C. Murer, ca. 1600-1614.