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  • Geschichte der gynäkologisch-anatomischen Abbildung / von Fritz Weindler.
  • Geschichte der gynäkologisch-anatomischen Abbildung / von Fritz Weindler.
  • Geschichte der gynäkologisch-anatomischen Abbildung / von Fritz Weindler.
  • N. Grew, the anatomy of plants / With an ide
  • A human anatomical figure. Drawing, Nepalese, ca. 1800 (?).
  • A human anatomical figure. Drawing, Nepalese, ca. 1800 (?).
  • The muscles of the left leg, seen from the front, and the bones and muscles of the right leg seen in right profile, and between them, a patella. Drawing by Michelangelo Buonarroti, ca. 1515-1520.
  • The muscles of the left leg, seen from the front, and the bones and muscles of the right leg seen in right profile, and between them, a patella. Drawing by Michelangelo Buonarroti, ca. 1515-1520.
  • The muscles of the left leg, seen from the front, and the bones and muscles of the right leg seen in right profile, and between them, a patella. Drawing by Michelangelo Buonarroti, ca. 1515-1520.
  • The muscles of the left leg, seen from the front, and the bones and muscles of the right leg seen in right profile, and between them, a patella. Drawing by Michelangelo Buonarroti, ca. 1515-1520.
  • Rembrandt at the door of the Amsterdam anatomy theatre. Process print, 1927, of an engraving by C. L. van Kesteren after C. Bisschop.
  • Puhoro: tracing of the chisel cuts used in a Maori design of tattooing on the thigh. Watercolour by H.G. Robley.
  • A troupe of blind musicians and their dogs confronting a rival street musician and his dog. Lithograph by Engelmann after S. Baptiste, 1828.
  • A Roman academy of artists. Etching after Pier-Francesco Alberti, 16--.
  • Deep muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Deep muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • An écorché figure (life-size), lying prone on a table: the right arm hangs down below the table. Red chalk and pencil drawing, with bodycolour, by C. Landseer, 1813 (?).
  • An écorché figure (life-size), lying prone on a table: the right arm hangs down below the table. Red chalk and pencil drawing, with bodycolour, by C. Landseer, 1813 (?).
  • Muscles of the neck, tongue and jaws. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the eye and larynx and the head shown with a section of skull removed. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the eye and larynx and the head shown with a section of skull removed. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the right side of the head and neck. Colour mezzotint by J.F. Gautier d'Agoty, 1745-1746.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the pharynx, viewed from the back and side, and separated. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the right side of the head and neck. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the right side of the head and neck. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.