concept

Innocence attacked from four corners by "Iudex", "Persequutiō", "Avaritia" and "Invidia"; Justice looks down from above. Etching by C. Murer after himself, c. 1600-1614.

The Roman emperor Valens pours money into a coffer; an officer is arrested and led to prison. Etching by C. Murer after himself, c. 1600-1614.

Men worship an ass bearing a religious image; alluding to both Aesop's fable of the ass and idol worship in Arianism and contemporary Catholicism. Etching by C. Murer after himself, c. 1600-1614.

A bear overturns a barrel and is stung by bees; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.

Birds attacking an owl resting upon a staff held by a naked woman; representing patience. Etching by C. Murer after himself, c. 1600-1614.

Allegorical figures hold up two scrolls, separated by a spider's web: one shows a straight line between "Charitas" and "Iustitia"; the other a crooked line between "Invidia" and "Avaritia". Etching by C. Murer after himself, c. 1600-1614.

The soul being refined like metal in a crucible by an angel, Satan, Venus and Death; representing a test of faith. Etching by C. Murer, ca. 1600-1614.

A man scatters seeds; representing the Biblical parable of the sower; here referring to the "ministry of the word", preaching. Etching by C. Murer after himself, c. 1600-1614.

Feast scene representing hospitality; alluding to Abraham and the three angels. Etching by C. Murer after himself, c. 1600-1614.

A dog resting on a bull's straw; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.

An answer to the Revd Mr. Simon Browne's letter to Mr. Thomas Reynolds, containing I. The state of the case between Mr. Browne and the author. ... By Thomas Reynolds.

Two men walking above a city; representing harmony of religious or political states. Etching by C. Murer after himself, c. 1600-1614.

Remarks upon some places of Mr. Whiston's books, either printed or in manuscript. By P. Allix, D.D.

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The Roman emperor Valens pours money into a coffer; an officer is arrested and led to prison. Etching by C. Murer after himself, c. 1600-1614.

An answer to the Revd Mr. Simon Browne's letter to Mr. Thomas Reynolds, containing I. The state of the case between Mr. Browne and the author. ... By Thomas Reynolds.

Two men walking above a city; representing harmony of religious or political states. Etching by C. Murer after himself, c. 1600-1614.

Remarks upon some places of Mr. Whiston's books, either printed or in manuscript. By P. Allix, D.D.

A dog resting on a bull's straw; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.