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Selling art in Georgian London : the rise of Arthur Pond / Louise Lippincott.

Mark Akenside. Stipple engraving by J. White, 1837, after A. Pond.

Saint Mary Magdalen. Etching by A. Pond, 1734, after Annibale Carracci.

A man with large spectacles is sitting on a seat peering at a man who is approaching him. Etching by Arthur Pond after Annibale Carracci.

Mark Akenside. Mezzotint by E. Fisher, 1772, after A. Pond, 1754.

A male dwarf, painting. Colour etching by A. Pond, 1736, after A. Carracci.

Richard Mead. Etching by A. Pond, 1739.

Mark Akenside. Stipple engraving by J. White after A. Pond.

Mark Akenside. Line engraving by J. H. Robinson, 1835, after A. Pond.

Sebastiano Resta. Etching by Arthur Pond, 1738, after P.L. Ghezzi.

Saint Antony Abbot: he is followed in the street by demonic persecutors. Colour etching by A. Pond, 1736, after L. Cambiaso.

Rome: a capriccio of ancient buildings, including the Pantheon, the statue of Marcus Aurelius on the Campidoglio, and Trajan's column. Etching by J.S. Muller, 1744, after G.P. Panini.

An old man, and a boy with a bird. Etching by A. Pond, ca. 1736, after G.F. Barbieri, il Guercino.

Rome: left, the Arch of Constantine; right, the temple of Saturn; people standing, sitting, reclining and horse-riding among the ruins. Etching and woodcut by C. Knapton, ca. 1736, after G.P. Panini.

A cavalry charge. Etching and colour woodcut by A. Pond, 1735, after J. Courtois.

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Pond, Arthur, 1701-1758

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Rome: a capriccio of ancient buildings, including the Pantheon, the statue of Marcus Aurelius on the Campidoglio, and Trajan's column. Etching by J.S. Muller, 1744, after G.P. Panini.

An old man, and a boy with a bird. Etching by A. Pond, ca. 1736, after G.F. Barbieri, il Guercino.

Mark Akenside. Line engraving by J. H. Robinson, 1835, after A. Pond.

Rome: left, the Arch of Constantine; right, the temple of Saturn; people standing, sitting, reclining and horse-riding among the ruins. Etching and woodcut by C. Knapton, ca. 1736, after G.P. Panini.

A cavalry charge. Etching and colour woodcut by A. Pond, 1735, after J. Courtois.