concept

Il carteggio Cigoli-Galileo, 1609-1613 / a cura di Federico Tognoni ; premessa di Mara Roani ; introduzione di Luca Tongiorgi Tomasi.

The apostles gathered around the empty tomb of Mary on her Assumption. Etching with aquatint by C.M. Metz after L. Cardi.

The muscles of the suspended right arm, seen from the front. Red-chalk drawing, 17th century.

An écorché seen from the back. Red-chalk drawing, 17th century.

The muscles of the suspended right arm and upper right shoulder, seen from the back. Red-chalk drawing, 17th century.

The muscles of the raised left arm and of the upper left shoulder, seen from the front. Red-chalk drawing, 17th century.

Saint Peter and Saint John healing a lame man at the entrance to the Temple. Oil painting after L. Cardi, il Cigoli.

Saint Peter and Saint John healing the lame at the temple gate, above the vision of Christ in heaven. Etching by N. Dorigny, 1691, after L. Cardi, il Cigoli, 1606.

Saint Francis of Assisi in the wilderness; kneeling in front of a crucifix. Engraving by A. Calzi after Pompignoli after L. Cardi da Cigoli.

Anatomical male figure. Photograph, 1920/1960, of a bronze sculpture by Lodovico Cardi (Il Cigoli), ca. 1600.

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Cigoli, Ludovico Cardi da, 1559-1613

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Saint Francis of Assisi in the wilderness; kneeling in front of a crucifix. Engraving by A. Calzi after Pompignoli after L. Cardi da Cigoli.

Anatomical male figure. Photograph, 1920/1960, of a bronze sculpture by Lodovico Cardi (Il Cigoli), ca. 1600.

The muscles of the raised left arm and of the upper left shoulder, seen from the front. Red-chalk drawing, 17th century.

Saint Peter and Saint John healing the lame at the temple gate, above the vision of Christ in heaven. Etching by N. Dorigny, 1691, after L. Cardi, il Cigoli, 1606.

The muscles of the suspended right arm and upper right shoulder, seen from the back. Red-chalk drawing, 17th century.