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Four ridiculous methods of therapy. Lithograph after J.O. Parry, 1854.

Puns, puppets of Shakespearian characters, fashions in bonnets, the Egyptian Hall in Piccadilly, etc., representing Albert Smith's performance 'Ascent of Mont Blanc'. Lithograph after J.O. Parry, 185-.

Albert Smith standing on the balcony of a chalet in front of the painted backdrop of Mont Blanc at midnight by William Beverley, addressing a large audience. Lithograph after J.O. Parry, 185-.

Above, puppets representing Falstaff with Mrs Page and Mrs Ford in 'The merry wives of Windsor'; below, a derelict rural thatched cottage in Hungerford. Lithograph after John Orlando Parry.

Albert Smith standing on the balcony of a chalet in front of the painted backdrop of Mont Blanc at midday by William Beverley, addressing a large audience. Lithograph after J.O. Parry, 185-.

Features of Albert Smith's performance 'Ascent of Mont Blanc' at the Egyptian Hall in Piccadilly. Lithograph after J.O. Parry, 185-.

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Parry, John Orlando, 1810-1879

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Puns, puppets of Shakespearian characters, fashions in bonnets, the Egyptian Hall in Piccadilly, etc., representing Albert Smith's performance 'Ascent of Mont Blanc'. Lithograph after J.O. Parry, 185-.

Albert Smith standing on the balcony of a chalet in front of the painted backdrop of Mont Blanc at midnight by William Beverley, addressing a large audience. Lithograph after J.O. Parry, 185-.

Features of Albert Smith's performance 'Ascent of Mont Blanc' at the Egyptian Hall in Piccadilly. Lithograph after J.O. Parry, 185-.

Four ridiculous methods of therapy. Lithograph after J.O. Parry, 1854.

Above, puppets representing Falstaff with Mrs Page and Mrs Ford in 'The merry wives of Windsor'; below, a derelict rural thatched cottage in Hungerford. Lithograph after John Orlando Parry.