Home StoriesPart of A Bloody History of Menopause


Menopause can be tough when nobody wants to talk about it and all the stereotypes are negative. but Helen Foster argues that it can be a transformative rite of passage into a new lifestage - cronehood. Some women have reclaimed the crone as the embodiment of wisdom and experience and a positive role model for life after menopause.

Words by Helen FosterEast Midlands Oral History Archiveartwork by Asma Istwaniaverage reading time 4 minutes

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Digital collage artwork made up of rusts, orange and yellow hues. A cluster of collaged elements sit at the centre of the image. The atmosphere is one the natural world, female humanity and the wider cosmos A large central older female face looks out at us. Her head is framed by 2 symmetric trees, above her head is a Saturn-like planet, a small female figure rests on a golden headdress of rose petals. One the central figure's shoulder sits a crow, beak open.
Crones. © Asma Istwani for Wellcome Collection.

For the longest time, menopause was cloaked in mystery and ignorance – a taboo subject. The physical, mental and emotional upheaval that it unleashed often coincided with other life changes, such as ageing parents and children growing up. Yet most women had to struggle with menopause alone – too embarrassed to talk about their symptoms or seek help. And for those who did ask for help, little information was available, either medically or culturally, on how to live with menopause and beyond.

By the 19th century, menopause was increasingly medicalised as a condition to be held at bay so that women could stay “feminine forever”, although patriarchal systems of religion, science and medicine continued to frame middle-aged and menopausal women as having outlived their usefulness after the loss of fertility. Menopause was characterised as a series of losses: the loss of fertility, youth, beauty, vitality, femininity.

Detail from the larger artwork at the top of the page, showing the central cluster of collaged elements including the small female figure resting on a golden headdress of rose petals.
Crones. © Asma Istwani for Wellcome Collection.

In addition to the physical symptoms, menopause was often associated with negative stereotypes for older women, such as witch, hag and crone, all of which came with a history of violence and control. Add to this the loss of social status of ageing women who feel increasingly invisible and marginalised, and it’s no surprise that for many, menopause remains a challenging time.

Listen to Ronne sharing her complex feelings about menopause:
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The wisdom of cronehood

Some women have sought to reclaim the status of the older woman from the stereotype of the wicked witch and the decrepit crone of history. Neopagan and New Age feminists draw on earlier writers and movements to resurrect supposed pre-Christian European traditions of the venerated goddess and the wise woman, whose experience and knowledge were valued by her community.

The psychologist Carl Jung was very influential in evoking the great mother as an archetype of older womanhood. The pagan idea of the triple goddess was popularised by the writer Robert Graves, influenced by early 20th-century scholars such as Jane Ellen Harrison. Based on the goddesses of Ancient Greece, the triple goddess has three aspects, sometimes linked to the phases of the moon.

Detail from the larger artwork at the top of the page, showing the large central older female face.
Crones. © Asma Istwani for Wellcome Collection.

The three archetypes are personified as the maiden, the mother, and the crone, each of which symbolises a stage in women’s lives. The maiden represents birth, youth, growth and the waxing moon. The mother represents fertility, power, ripeness and the full moon. The crone represents wisdom, repose, death and the waning moon. Menopause is often seen as a marker for entering cronehood, the third phase of life.

Life beyond menopause   

For some, perhaps with a more spiritual inclination, ‘croning’ is a celebratory ritual marking the rite of passage into the third phase of life after menopause. For others who are trying to understand menopause and find meaning in the upheaval of their post-menopausal lives, cronehood is an example of engaging with this stage of life with a positive sense of ageing.

Detail from the larger artwork at the top of the page, showing the crow, the trees and glimpses of the planet with rings.
Crones. © Asma Istwani for Wellcome Collection.

The Jungian psychologist Jean Shinoda Bolen, in her book ‘Goddesses in Older Women’, suggests that women become trapped into narrow, culturally prescribed roles at different stages in life which stifle their power, vitality and creativity. She urges women over 50 to search out positive archetypes or patterns of behaviour that will help them realise their full potential.

While archetypes of the triple goddess and cronehood may seem a long way from coping with hot flushes and hormonal mood swings, they offer ways to address the absence of both cultural traditions and lived experiences of menopause in the historical record. And as more conversations about menopause happen, many more examples and experiences may emerge. 

Deborah was increasingly aware of entering a new stage in life:
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The multifaceted menopause

As conversations about menopause open up in the 21st century, women have a variety of ways to think about the menopause. Alongside the medical model, which focuses on the hormonal changes and symptoms of menopause, are several other models emphasising different aspects of this life stage.

A social-construction model considers how menopause is shaped by social attitudes and historical baggage. And a natural-life model draws on the crone archetype, challenging the medicalisation of menopause, instead viewing it as a positive transformation, with a holistic approach to health and wellbeing.

Here’s Claire reflecting on her own rite of passage through menopause:
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About the contributors

Helen Foster


Dr Helen Foster is a writer and oral historian currently based at the East Midlands Oral History Archive at the University of Leicester. She has a particular interest in narratives around life stages and, as well as menopause, her work has explored childlessness and bereavement. As a poetry-therapy practitioner she facilitates workshops for people living with mental health challenges, using writing as a therapeutic tool. She is currently co-authoring a book on creative writing and health for Emerald Press.

University of Leicester logo. Red ink on a white background

East Midlands Oral History Archive


The audio extracts used in the series ‘A Bloody History of Menopause’ come from interviews, conversations and audio diaries about lived experiences of menopause recorded for the Silent Archive project. The project was led by the East Midlands Oral History Archive at the University of Leicester (from 2020–22) and funded by the National Lottery Heritage Fund. 

Black and white head and shoulders photographic portrait of Asma Istwani.

Asma Istwani


Asma is an artist and arts producer from London. She has worked with several organisations and brands, including Tate, Somerset House and Jo Malone London on a variety of creative projects. Through her collages she aims to make relatable statements about the experience and racial and sexual depiction of ‘othered’ women, with special interest in those who, like herself, make up the SWANA (South West Asian/ North African) diaspora. Asma is also the founder of RIOT SOUP, an art collective and community for Black and Brown women artists in London.